STORYTELLING PART 2  

INTRODUCTION

By Gordon S. Grice

One of the best things about life—also, sometimes, one of the worst things—is that you never really know what’s going to happen next. As events unfold, we all have our own way of making sense of them: nothing is random, God wills it, that’s life, etc. But the best mechanism for dealing with life’s unpredictability that we’ve come up with so far is storytelling. Stories come with the added advantages of comfort, longevity and memorability. There are made-up stories, true stories, and “the story you are about to read is true; only the names have been changed to protect the innocent.”

Architecture is like storytelling. It helps us to organize our lives, it provides comfort, a degree of permanence and a way of remembering, which is why architecture and storytelling are inseparable.

There is a lot of good writing about architecture: history, ideas, theories, philosophies, techniques, critiques, monographs, manifestos, etc. But there is too little architectural storytelling. So, in this issue of The Right Angle Journal, we have asked our writers to tell us an architectural story. The result is a surprising collection of: fact (Grice), a recollection of architectural destruction (Devgan), an advocacy for design stories, (Temporale), and a fictionalized account, in which “the story you are about to read is true; only the names have been changed to protect the innocent.” (Moise).

THE TRUE NARRATIVE
by Alex Temporale by Alex Temporale

THE TRUE NARRATIVE

Too many architects’ design narratives are afterthoughts written in a language only architects understand: on writing the true story of a project.

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ARCHITECTURE & STORYTELLING
by Gordon S Grice by Gordon S Grice

ARCHITECTURE & STORYTELLING

From Chauvet Cave to Victor Hugo, buildings have always told stories: Gordon Grice traces how architecture and narrative became bedfellows, and why there are still too few architectural stories well told.

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