PUBLIC SPACE

Berczy Park, St. Lawrence Neighbourhood, Toronto

PHOTO: The Right Angle Journal

By Gordon S. Grice

Technically, any space that isn’t private space is public space. If you include wide-open spaces—grasslands, deserts, tundras, etc.—public space is boundless in every sense: It goes on seemingly forever, and it may not be clearly defined.

As architects and planners, the public spaces that concern us most, and are the subject of this issue of The Right Angle Journal, are the more modest, defined spaces in cities and suburbs that offer relief from our private cocoons and allow us to mingle. Most of us know of a public space that we enjoy visiting. Maybe it’s a civic square, a streetcorner, a boardwalk or a patch of grass that allows us to observe and interact with other people, nature and animals, to breathe fresh air and remind ourselves what life is all about.

There have been public spaces for as long as civilization has existed. The Sumerians had their temple courtyard, the Babylonians their market square, the ancient Greeks their agora and the Romans their forum. The function of public spaces today has changed very little since those ancient times, nor have they lost their popularity. In his book Life Between Buildings, [Washington: Island Press, 2011] Danish architect and urban designer Jan Gehl refers to “The growing intensity, with which high quality public spaces are currently used around the world, as well as the increased general interest in the quality of cities and their public spaces.” To put it simply, as urban populations grow exponentially, the importance of public spaces also continues to grow.

In this issue of The Journal, we look at public spaces, large and small, through the eyes of planners, architects and landscape architects. Christopher Moise confronts the idea that public spaces are as emotional and psychological as they are physical. Ryan Martin suggests that we are sometimes guilty of ignoring the full potential of our public spaces. The editor discusses the phenomenon commonly called “sense of place,” whereby the inherent characteristics of a public site may (or may not) be incorporated into its architectural development. Landscape designer Ed Leonard reports from Ajijic, Mexico, with an in-depth view of how public spaces are used in in a resort/retirement community. Bill Birdsell reveals how a civic catastrophe can result in civic betterment. Rita Devgan describes a public park in Barcelona that is much more than a public space; it’s a national treasure.

What is it that people need and appreciate in public space and how can we make sure that these criteria are met?

MAPS WE CARRY, CITIES WE MAKE
by Christopher Moise by Christopher Moise

MAPS WE CARRY, CITIES WE MAKE

Ottawa’s ByWard Market as a case for the maps we carry in our bodies: on pedestrianization, honest ground, and the small design decisions that let public life happen.

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REGROWING HERITAGE PARK
by Ryan Martin by Ryan Martin

REGROWING HERITAGE PARK

A Sarnia stormwater pond park is too manicured to be loved, so nobody uses it: a master’s student’s case for rewilding it and adding the cheap comforts that would make it a community hub.

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SENSE OF PLACE
by Gordon S Grice by Gordon S Grice

SENSE OF PLACE

A poster drawn 38 years ago for a Toronto market that never got built: the 222-year story of the St. Lawrence North Market site, and what ‘sense of place’ really means.

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A CITY AND A RIVER
by Bill Birdsell by Bill Birdsell

A CITY AND A RIVER

The 1974 flood that put downtown Galt under 18 feet of water, and what a teenager stacking sandbags learned about rivers, flood walls, and building with nature instead of against it.

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PARK GÜELL, BARCELONA
by Rita Devgan by Rita Devgan

PARK GÜELL, BARCELONA

Gaudí’s mosaic hillside began life as a failed housing development: how Park Güell became Barcelona’s most celebrated public space.

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